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On March 5, 2021, cinemas in New York City were given authorization to reopen, subject to the same 50-patron limit as the remainder of the state.197 On March 11, after Los Angeles County moved from purple to red on the Blueprint for a Safer Economy, the Los Angeles County Department of Public Health LACDPH gave authorization for cinemas to resume operations in the area at 25% capacity.198 42 of the approximately 107 cinemas as of 2019 in the LA area had resumed operations by March 26, with some chains and independent cinemas expecting to reopen over the next few weeks for the opening of Godzilla vs. Kong.122123
Language : Film is considered to have its own language. James Monaco wrote a classic text on film theory, titled How to Read a Film, that addresses this. Director Ingmar Bergman famously said, Andrei Tarkovsky for me is the greatest director, the one who invented a new language, true to the nature of film, as it captures life as a reflection, life as a dream. An example of the language is a sequence of back and forth images of one speaking actors left profile, followed by another speaking actors right profile, then a repetition of this, which is a language understood by the audience to indicate a conversation. This describes another theory of film, the 180-degree rule, as a visual story-telling device with an ability to place a viewer in a context of being psychologically present through the use of visual composition and editing. The Hollywood style includes this narrative theory, due to the overwhelming practice of the rule by movie studios based in Hollywood, California, during films classical era. Another example of cinematic language is having a shot that zooms in on the forehead of an actor with an expression of silent reflection that cuts to a shot of a younger actor who vaguely resembles the first actor, indicating that the first person is remembering a past self, an edit of compositions that causes a time transition.
Industry : Roger Ebert 19864 : Film criticism is the analysis and evaluation of films. In general, these works can be divided into two categories: academic criticism by film scholars and journalistic film criticism that appears regularly in newspapers and other media. Film critics working for newspapers, magazines, and broadcast media mainly review new releases. Normally they only see any given film once and have only a day or two to formulate their opinions. Despite this, critics have an important impact on the audience response and attendance at films, especially those of certain genres. Mass marketed action, horror, and comedy films tend not to be greatly affected by a critics overall judgment of a film. The plot summary and description of a film and the assessment of the directors and screenwriters work that makes up the majority of most film reviews can still have an important impact on whether people decide to see a film. For prestige films such as most dramas and art films, the influence of reviews is important. Poor reviews from leading critics at major papers and magazines will often reduce audience interest and attendance.
The credits, or end credits, is a list that gives credit to the people involved in the production of a film. Films from before the 1970s usually start a film with credits, often ending with only a title card, saying The End or some equivalent, often an equivalent that depends on the language of the productioncitation needed. From then onward, a films credits usually appear at the end of most films. However, films with credits that end a film often repeat some credits at or near the start of a film and therefore appear twice, such as that films acting leads, while less frequently some appearing near or at the beginning only appear there, not at the end, which often happens to the directors credit. The credits appearing at or near the beginning of a film are usually called titles or beginning titles. A post-credits scene is a scene shown after the end of the credits. Ferris Buellers Day Off has a post-credit scene in which Ferris tells the audience that the film is over and they should go home.
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Crew Main article: Film crew A film crew is a group of people hired by a film company, employed during the production or photography phase, for the purpose of producing a film or motion picture. Crew is distinguished from cast, who are the actors who appear in front of the camera or provide voices for characters in the film. The crew interacts with but is also distinct from the production staff, consisting of producers, managers, company representatives, their assistants, and those whose primary responsibility falls in pre-production or post-production phases, such as screenwriters and film editors. Communication between production and crew generally passes through the director and hisher staff of assistants. Medium-to-large crews are generally divided into departments with well-defined hierarchies and standards for interaction and cooperation between the departments. Other than acting, the crew handles everything in the photography phase: props and costumes, shooting, sound, electrics i.e., lights, sets, and production special effects. Caterers known in the film industry as craft services are usually not considered part of the crew.
The Chinese film industry had lost US billion by March 2020, having closed all its cinemas during the Lunar New Year period that sustains the industry across Asia.2 North America saw its lowest box office weekend since 1998 between March 13–15.3 Demon Slayer: Mugen Train, the highest-grossing film of 2020, earned 3 million worldwide.4 It was the first time since 2007 that the top-grossing film of a given year had earned less than billion and the first time a non-American film was the top-grossing film of the year.5
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